Symbolic Interaction of Character Personality in the 5 Panca Wanda Mask
DOI:
https://doi.org/10.46799/ijssr.v5i7.1280Keywords:
Symbolic Interaction, Personality, Mask, Spread of Islam, Human DevelopmentAbstract
This study aims to explore how symbolic interaction shapes the personalities of characters in the 5 Panca Wanda Mask performance. The purpose of this study is to determine the characters and dance styles in 5 Panca Wanda Mask, and to educate the people of Cirebon to know that the Mask Dance was created in order to spread Islam. By relying on George Herbert Mead's symbolic interaction theory and Sugiyono's qualitative approach, we try to understand how the symbols in the masks reflect the stages of human personality development. In 5 Panca Wanda Mask, there are five characters Panji, Samba, Rumyang, Tumenggung, and Kelana, each of which symbolizes a different phase of life, from babies, children, teenagers, to adults. Their characters are depicted through facial expressions, colors, movements, and the way they interact on stage. As a result, this performance reflects the process of individual identity formation as explained by Mead, namely the stages of imitation, play, and group play. Symbols in masks are not only a means of communication, but also shape people's understanding of a person's role and existence. So, this study opens up insight into how traditional performing arts can be a reflection of the process of social interaction that shapes human personality.
References
Blumer, H. (1986). Symbolic Interactionism: Perspective and Method. University of California Press.
Desain, K. K. and M. A. and T. C. and P. T. and C. N. D. and A. and M. F. and J. S. M. and S. R. and D. (2023). Kajian Kritik Seni: Makna Artistik Topeng Cirebon pada Pertunjukan Tari Topeng Cirebon. ATRAT: Jurnal Seni Rupa, 11(2), 153–165.
Foley, K. (1989). The Dancer and the Dance: Exploring the Indonesian Masked Performance Tradition. Oxford University Press.
Goffman, E. (1959). The Presentation of Self in Everyday Life. Anchor Books.
Hadi, S. (2020). Seni Pertunjukan Tradisional Indonesia: Eksplorasi Simbolisme dan Identitas Budaya. Pustaka Jaya.
Imawan, K. K. (2013). Pesan Simbolik dalam Seni Tari Bedaya Kajongan sebagai Realitas Budaya Masyarakat Cirebon. Jurnal Signal, 1(2).
Kartini, R. (2019). Transformasi Topeng dalam Seni Pertunjukan Modern di Jawa Barat. Lembaga Penelitian Seni Nusantara.
Mead, G. H. (1934). Mind, Self, and Society from the Standpoint of a Social Behaviorist. University of Chicago Press.
Muhammad, R. (2021). Metode Penelitian Deskriptif. Cipta Media Nusantara.
Mulyono, S. (1978). Seni Pertunjukan Tradisional Jawa. Gunung Agung.
Prasetyo, A. (2022). Simbolisme Budaya dalam Tari Topeng: Studi Kasus di Daerah Istimewa Yogyakarta. Gadjah Mada University Press.
Pujiono, B. (2014a). Aneka Topeng (Edisi Revisi 2014). Kompetensi Terapan Sinergi Pustaka CV.
Pujiono, B. (2014b). Aneka Topeng (Edisi Revisi 2014). Kompetensi Terapan Sinergi Pustaka CV.
Semarang, A. O. and I. S. and M. J. S. R. and F. B. dan S. and U. N. (2024). Estetika Visual dan Makna Topeng Babakan Panca Wanda Gaya Slangit Produksi Home Industry Was Gallery Cirebon. Eduarts: Jurnal Pendidikan Seni, 13(2), 1–12.
Sinta, T., Fitriyah Rosiana, F., & Arsih, U. (2021). Makna Simbolik Tari Topeng Tumenggung Gaya Slangit Cirebon. Jurnal Seni Tari, 10(1), 1–14.
Soedarsono. (1997). Seni Pertunjukan Indonesia: Tradisi dan Perubahan. Gadjah Mada University Press.
Suardana, I. W. (2006). Struktur Rupa Topeng Bali Klasik. Imaji: Jurnal Seni Dan Pendidikan Seni, 4(1), 23–35.
Sugiyono. (2017). Metode Penelitian Kuantitatif, Kualitatif, dan R&D. Alfabeta.
Suyanto, B., & Sutinah. (2011). Metode Penelitian Sosial: Berbagai Alternatif Pendekatan. Kencana.
Tajfel, H., & Turner, J. C. (1986). The Social Identity Theory of Intergroup Behavior. Psychology Press.
Wasnadi. (2025). Wawancara pribadi.
West, R., & Turner, L. H. (2014a). Introducing Communication Theory: Analysis and Application. McGraw-Hill Education.
West, R., & Turner, L. H. (2014b). Pengantar Teori Komunikasi: Analisis dan Aplikasi (Edisi 3-Buku 1) (N. Setyaningsih, Ed.). Salemba Humanika.
Yuniarti, M. (2014). Konstruksi Makna Perempuan Dalam Tari Topeng Puteri.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Khaerudin Imawan, Muhammad Ragil, Wahyu Dwa Kusuma

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International. that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.









